Thursday, 12 November 2015

CLASSROOM PRACTICAL - HISTORICAL PLACE, AMMAVEEDU



                     



   Practicum on
   AMMA VEEDUS OF THIRUVANANTHAPURAM
      (travancore)

      SUBMITTED BY:
Alphonsa Joseph
             Social Science

                                                    
 INTRODUCTION
 
The Amma Veedu, extending from West Fort to Enchakkal along the road side of the Arattu Road, in Trivandrum houses the Amma Veeu’s. The abode of the consorts of the Maharajas of Travancore, popularly known as the Amma Veedu’s not only depict the legacy of age old royalty, but peeps into an not so explored history of family relations, cultural assimilation, traditional customs, and above all untold tales of royal interactions in Travancore. They are not mere structural remnants, but reveal an account of the life of the consorts of Maharajas, their siblings and relatives, extending to numerous branches; now in oblivion.
   
 HISTORY
 
The earliest account of the Amma Veedu is ascribed to or dates back to A.D.426 (found in ME 825) in the Attoor Copper Plate inscription of Veera Udaya Marthanda Varma, which grants the privilege of Uranma of the Keralapuram temple to Keraladicha Varma of Karyathurai or the Karyathurai Tampi. The Karyathurai (in Kanyakumari region) is regarded as the ancestral or original Amma Veedu from which was branched off the other existing Amma Veedus. The branched ones settled at various regions such as Kulachel (initially) and thenceforth in Tiruvattar,  Arumana, Vadasseri etc. The houses thence upon came to be known in the name of the place where it was originally placed, once they were shifted to Thiruvananthapuram (on the shifting of the capital of Travancore from Padmanabhapuram to Thiruvananthapuram).

It is customary for the Maharajas of Travancore to marry from either of the Amma Veedus. Nair ladies either from Amma Veedus or adopted to the respective Amma Veedus become the consort of the Maharajas. The Rajas are not permitted to marry outside the four major Amma Veedus; if a case of marrying from other than the Amma Veedus occur or the bride (the lady the Maharaja intend to tie the knot) is from other Nair family, it becomes customary to adopt the lady to either of the four Amma Veedus and only then the marriage is solicited. 

However the other Princes marry from Amma Veedus other than the major ones. Not only the bride is adopted, her relatives including mother, brothers, sisters, uncles and aunts are also adopted and bestowed with privileges and properties. The members of the Amma Veedu is titularly called as ‘Tampis’(males), ‘Tankachis’ and ‘Kochammas’(females). The lady who becomes the consort of the Maharaja is thenceforth revered with the title –‘Panapilla Ammachi’ or ‘Kochamma’. 

Once the bride from the Amma Veedu is conferred the ‘Pattum Parivattavum’ (the marriage ceremony), she becomes the wife of the Maharaja thenceforth known as Ammachi. She is bestowed with palatial residences, properties and privileges. The off springs of the couple reside at the Amma Veedus enjoying similar privileges, which were hereditary. They received due honor amidst the society on being the wife and children of the ruler and were often influential in policy making of the government. (Earlier instances suggest the influence of the Ammachis and Tampis upon the Maharaja on crucial administrative decisions)
The establishment of the four major Amma Veedus in Thiruvanathapuram, other than its original one in Kanyakumari is credited to Kartika Tirunal Rama Varma alias Dharma Raja, who had four wives from each of the four Amma Veedus. 

The major Amma Veedus in Thiruvananthapuram are- Arumana, Vadasseri (Vadasseri Padinjare), Nagarcoil and Tiruvattar Amma Veedus (Later construction include the Tanjavur Amma Veedu).These Amma Veedus situates on the either sides of the Royal Arattu Street to Enchakkal, on the West of the Padmanabha Swamy Temple. Since the time of the Maharajas from Dharma Raja to Moolam Tirunal Rama Varma, married from either of the four Amma Veedus. There are also few other Amma Veedus in Thiruvananthapuram, in distant regions far from the capital city.

  SIGNIFICANCE OF THE STUDY

The visible remnants of a rich past of any erstwhile princely state are its Palaces and buildings of marvel. Here the Royal Palaces and Amma Veedus thus stand as proud monuments of a rich era, encompassing its architectural grandeur, enriched with royal lineage and customary tradition of a vintage episode in Travancore history. 
\
The prominent and illustrious position adorned by the Travancore royal ladies could thus be illumed through these remnants. More specifically it divulges on the reverence and exalted position the rulers of Travancore had bestowed upon their consort/better-halfs, thus also preserving the tradition of matrilineal system of inheritance that Travancore pursued since antiquity.

The self imposing mansions or Amma Veedus on the either side of the road are dazzling with its extensively rich wooden panelings, gables, gothic styled structures, protruding Mukhappus/niche and thus is a splendid combination of the European and Kerala style of Architecture. Initially these were typically Kerala style residences, with its characteristic Naalukettus/Ettukettus and additional features. It was only in the latter half of the 19th century that the colonial and native styles were adopted.

Apart from the lineage of a royal blood, the inmates of the Amma veedus were highly talented and their contributions to the socio-political & cultural scenario of Travancore are praise worthy. Commencing from the great composer poet Irayimman Tampi, the line of achievers, both male and females from the Amma veedus excelled in fields of sports, public welfare, transport, art, literature etc.

Thus to know about the historical significance of the Travancore Royal Family and its Amma Veedus are highly significant for the history of Travancore. This study aims to focus on the origin, history and functions of the Amma Veedu and its importance in the Travancore history. The Amma Veedus are unique in its architectural style, is a mixture of Kerala and European styles remains as an artistic one in the history of Travancore.











No comments:

Post a Comment